

Rather than building a sense of danger or suspense in these scenes of silence, what came to light was a sad confirmation of what I was already feeling: in the empty sound of the theater, I heard yawns, sighs, and people restlessly adjusting in their seats.
The black masses plot movie#
In what could be called a bold creative move, many scenes of Black Mass don’t use the crazily melodramatic score by Junkie XL in attempt to use silence as a source of much needed tension (the movie doesn’t have any). With them is Bulger’s brother, Senator William Bulger, who Benedict Cumberbatch plays with one of the worst Boston accents in cinema history. Brokering the deal is FBI agent and childhood friend John Connolly ( Joel Edgerton), who over-ambitiously uses Bulger to rise through the ranks of power at the FBI himself. In essence-and I assure you this isn’t a spoiler even if it sounds like one- he became an FBI “informant,” or what he smugly labeled an “alliance.” James “Whitey” Bulger, played with stunt casting by Johnny Depp, promised to give the FBI the Italian Mafia in exchange for carte blanche on his own crew. This movie has less personality than the ordinary chair I’m writing this review on.īlack Mass uses the real life source behind Scorsese’s above-punned film The Depa(h)rted, the fascinating real life story of a Boston mobster kingpin and his controversial relationship with the FBI. Director Scott Cooper is neither Martin Scorsese or Quentin Tarantino and spends no time imitating either, which could sound like a compliment that he has a singular identity if it weren’t that Black Mass didn’t have any identity at all.

Likewise, nobody will challenge how well Quentin Tarantino can write a bomb-under-the-table scene only entirely through dialogue. The punchy dialogue, vibrant characters, and smart direction sizzle with such intensity they almost seem to explode, stealing your breath and catching your gaze. Most of Goodfellas, the graphic, sadistically violent, parents-censored Goodfellas, is actually mainly just people talking. One of the tricks of Martin Scorsese, reigning supreme of gangster movies, is how his movies always seem to have way more action than they actually do. Creative vision is amongst the departed in this highly disappointing high body count mob movie that never amounts to anything at all.
